klk005 | Lilium | Tonne

klk005 | Lilium

by Tonne

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Full Digital Discography

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Inside Us, Anti-Cal, klk015 | Neurospasta, klk014 | Harmonic Tremor remixes, klk012 | Monologue, klk007 | Epta, klk008 | Sabado Gris, klk010 | Harmonic Tremor, and 7 more. , and , .

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1.	DELAVAYNUM 08:36	buy track
2.	YUNNANENSE 04:46	buy track
3.	CILIATUM 05:58	buy track
4.	LANKONGENSE 06:44	buy track
5.	BULBIFERUM 05:10	buy track
6.	BUSCHINANUM 04:30	buy track
7.	OXYPETALUM 06:08	buy track
8.	SHASTENSE 05:24	buy track
9.	VOLLMERI 03:42	buy track
10.	LUTEUM 06:04	buy track

about

Paul Farrington’s work under the guise Tonne has tended towards an exploration of the fusion of the sonic and the visual. His first solo album’SoundToy’ on BiP-HOp probed the possibilities of screen-based custom-built sound toys, featuring collaborations with Scanner, Hakan Lidbo and si-cut.db. Released to widespread acclaim in 2002 it quickly led to numerous higher profile projects, not least recent work on a Depeche Mode sound toy and the development of Moby Hotel (www.mobyhotel.com) for Mute.

‘Lilium’ sees the emphasis shift from software processes to pure, jet-propelled sound. Across its ten abstractly titled tracks Farrington balances deep, seductive grooves with a delicate digital effluvium, the by-product of his resolutely on-screen environment.

The effect of the ten tracks is cumulative, with each building on the last – layer upon careful layer in a manner that mimics the carefully constructed and interlocking fixtures of house music. By the fourth track ‘Lankongense’ the groove has settled, albeit punctuated by a series of frequent and unpredictable slips and cuts – features which critically differentiate ‘Lilium’ from the main stay of ‘clicks and cuts’ predictability.

This is echo-soaked digital house, stripped down before being painstakingly rebuilt – itself a magical and mesmerising process. ‘Bulbiferum’ spills from the speakers mutating like some rapidly evolving organism, rich and exuberant, but slightly unstable – nonetheless a joy to witness. Closing with the hollowed snaps crackles and pops of ‘Luteum’ marks a fitting end –
a memorable late night ending, that rightly fades only to begin again…

credits

released August 17, 2005

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klitekture Las Palmas De Gran Canaria, Spain

Klitekture Records was created by Luis Ortiz in the Canary Islands with the intention to publish works related to experimental music, audio-visual installations, video creations and related arts.

The name klitekture is composed of different terms like ¨ clicks, techno, architecture and structure " that mark the sonority and aesthetics of the works published on this platform.

www.klitekture.com ... more

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